Boyhole
Go-Kart Conspiracy was Lottie’s high school band with Claire, Blossom Cooper and Shauna Wickle. If you want to imagine what they were like, think “chaotic but catchy”.
I must add that D-Slide’s name is short for “landslide” – somehow this fact was omitted from both parts of this story. The LAN is silent, yeah?
Does this qualify as breaking your page-naming rule, John? You’re a rebel, I see.
Gizmo’s eyes terrify me. That level of constant arousal must surely be unhealthy? Will he turn out to be a supervillain?
I believe those are glasses.
I see Chibi-L hovering by the bicycle.
Wow! Twice in one issue- AND the first time we’ve seen her without Glenn around. Mr Alison really is breaking all the rules on this page!
Mr Allison, I mean. Typing too quickly.
Something tells me Claire will be less-than-thrilled with them reusing songs from her old band, especially if it turns out she wrote some of them.
Or maybe one of the old songs will get them some press, and then an angry Blossom will show up on their doorstep.
That last panel tells me that Lottie has not in fact lost her marbles, and so she may be right after all.
I hope Shauna, Blossom and Claire get royalties.
But… it is possible to adapt Go-Kart Conspiracy’s lyrics to K-pop? Probably write new ones would be faster.
The new D-Slide song: Gettin’ Down with the Washin’ up.
Omg did someone make CAKE? I’m a D-Slide fangirl already.
I fear that all of that washing up may prove to be the result of soup.
Getting them to clean up? I guess Lottie’s career as their manager is over before it’s begun…
An untidy boyhole is never appealing to a lady.
Or, in some cases, to other boys.
Did you know that it took twelve years to make Boyhole?
Good thing she kept those song notes from her band phase… while she can be quite organized at saving and retrieving stuff, she is also prone to moodiness where she destroys her archives, like the time she burned her mystery notes and artifacts in a fit of pique.
Pot of the slops, with Pans, People?
At first, I read Lottie’s characterization of K-POP as “gender-bending”, which also seems true.
Somewhere around Glasgow, Shauna feels an inexplicable overpowering emptiness and sadness inside, while Blossom (wherever she is) feels inexplicable rage. Claire already feels something wrong and has a pretty good idea who’s behind it.